In the mid-1970s, a political group made up of members of the West African diaspora in Paris decided to turn their back on factory work,
to become apprentices of French farmers; later founding the coop- erative “Somankidi Coura” in Mali. The Mauritanian director Sidney Sokhona based his feature Safrana ou le droit a la parole (1978) on them. It is a collective work in which the protagonists of the diaspora play themselves in central roles.
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